Friday, November 19, 2010

Over to the other side

I chose to pursue English Literature when I was at university. The poet that most affected me was Emily Dickinson.

Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.
We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility.

We passed the school, where children strove
At recess, in the ring;
We passed the fields of gazing grain,
We passed the setting sun.

Or rather, he passed us;
The dews grew quivering and chill,
For only gossamer my gown,
My tippet only tulle.

We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.

Since then 'tis centuries, and yet each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.

There was something so haunting in her words for me; her quiet acceptance of death being another stage in her life, and I returned to this poem, over and over.

There is another lovely poem of hers:


We grow accustomed to the Dark—
When light is put away—
As when the Neighbor holds the Lamp
To witness her Goodbye—

A Moment—We uncertain step
For newness of the night—
Then—fit our Vision to the Dark—
And meet the Road—erect—

And so of larger—Darkness—
Those Evenings of the Brain—
When not a Moon disclose a sign—
Or Star—come out—within—

The Bravest—grope a little—
And sometimes hit a Tree
Directly in the Forehead—
But as they learn to see—

Either the Darkness alters—
Or something in the sight
Adjusts itself to Midnight—
And Life steps almost straight.


She had such a lovely sense of how we adapt - either the darkness alters, or something in the sight adjusts itself to midnight. Isn't that just how it is!?

I have groped in the darkness in this journey of mine. I can't say that the darkness altered. I'm not entirely sure that is possible. Rather, I have waited for something in the sight to adjust itself to midnight. That has happened before and it will likely happen again.

But, in the early sunlight of a new day I can't help but be reminded of a favourite, more innocent poem:

What Are Little Boys Made Of?

What are little boys made of?
What are little boys made of?
Frogs and snails and puppy-dogs' tails,
And that are little boys made of.

What are little girls made of?
What are little girls made of?
Sugar and spice and all things nice,
And that are little girls made of.

What are young men made of?
What are young men made of?
Sighs and leers, and crocodile tears,
And that are young men made of.

What are young women made of?
What are young women made of?
Ribbons and laces, and sweet pretty faces,
And that are young women made of.


And, I ask myself, why do wicked boys want to lure sweet girls over to the dark side where they surely don't want to go...?

4 comments:

  1. And then, of course, there is this from her so-called Master letters:

    Low at the knee that bore her once unto wordless rest Daisy kneels a culprit-tell her her fault-Master-if it is small eno' to cancel with her life, she is satisfied-but punish don't banish her-shut her in prison, Sir-only pledge that you will forgive sometime before the grave, and Daisy will not mind-she will awake in your likeness.

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  2. OG:Thank you for reminding me of them. Of course, I looked them up right away and some critique and I was struck by these words:

    "Dickinson’s voice is strong – even if it is strong only to speak of her master. She is still heard. By committing herself so extremely to submission, Dickinson ends up speaking loudly."

    That resonates, huh? The author of the essay worked on the presumption there was no particular 'Master' but rather that she took the voice of all women and their relationship with men.


    "

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  3. Vesta,

    I've never heard the "young men" and "young woman" verses of the What are little boys made of rhyme.

    As to the question you ask yourself at the end, I think it's because it's just so much fun.

    Hugs,
    serenity

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  4. Serenity: Robert Southey is the author of the original poem, so I understand and an unknown author adapted it to this version.

    It *does* seem that boys do enjoy enticing sweet, innocent lasses to their lairs, yes. LOL

    But, when oh when is someone going to take exception to the assumption in the question, that girls don't want to go to the dark side...?

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